Recent Faculty Publications, N–Z

Journal articles, book chapters, reviews, and short films since 2000, books (including books edited) since 1995. Click on a thumbnail for more information about that title. (Pages will open in a new browser window.)

N O P Q R S T U V W X Y Z
Recent Faculty Publications, A–M

N

Scott Nygren
  • Time Frames: Japanese Cinema and the Unfolding of History. University of Minnesota Press, 2007.
  • (With Maureen Turim) “Reading the Tools, Writing the Image.” Iluminace 2 (2006), 49–70, special issue on Woody Vasulka.
 Time Frames: Japanese Cinema and the Unfolding of History

P

Judith W. Page
  • Review of Nadia Valman’s The Jewess in Nineteenth Century British Literary Culture. Women’s Writing 16 (2009).
  • “Dorothy Wordsworth’s ‘gratitude to insensate things’: Gardening in the Grasmere Journals.”The Wordsworth Circle 39 (Winter/Spring 2008).
  • “Learning How to See: Maria Elizabeth Jacson’s Botanical Dialogues (1797) and the Tradition of Women’s Botanical Writing.” The Female Spectator 12 (Spring 2008).
  • Review of Alyson Pendlebury’s Portraying ‘the Jew’ in First World War Britain.AJS Review 31 (2007): 427–30.
  • Review of Eitan Bar-Yosef’s The Holy Land in English Culture, 1799–1917: Palestine and the Question of Orientalism.Review of English Studies 57 (2006): 838–40.
  • “Reforming Honeysuckles: Hannah More’s Coelebs in Search of a Wife and the Politics of Women’s Gardens.” The Keats-Shelley Journal (2006): 111–36.
  • “Anglo-Jewish Identity and the Politics of Cultivation in Hazlitt, Aguilar, and Disraeli.” The Jews and British Romanticism: Politics, Religion, Culture. Palgrave, 2005. 149–64.
  • Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture. Palgrave, 2004.
  • “‘Hath not a Jew eyes?’: Edmund Kean and the Sympathetic Shylock.” The Wordsworth Circle (2003): 216–19.
  • “Gender and Domesticity.” The Cambridge Companion to Wordsworth. Ed. Stephen Gill. Cambridge University Press, 2003. 125–41.
  • “Neatly-Penned Memorials: Dora Wordsworth’s Journal of 1828 and the Community of Authorship.” A/B: Autobiography Studies 17 (2002): 65–80.
  • “Hyman Hurwitz’s Hebrew Tales (1826): Redeeming the Talmudic Garden.” British Romanticism and the Jews: History, Culture, Literature. Ed. Sheila A. Spector. Palgrave, 2002. 197–213.
  • “Maria Edgeworth’s Harrington: From Shylock to Shadowy Peddlers.” The Wordsworth Circle 32 (2001): 9–13.
  • “‘Nor yet redeemed from scorn’: Wordsworth and the Jews.” The Journal of English and Germanic Philology. (October 2000): 537–54.
  • Wordsworth and the Cultivation of Women. University of California Press, 1995.
 Wordsworth and the Cultivation of Women Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture

James Paxson
  • (Editor) Exemplaria.
  • “Allegory and Science: From Euclid to the Search for Fundamental Structures in Modern Physics.” Thinking Allegory Otherwise, ed. Brenda Machosky. Stanford University Press, 2009. 249–64.
  • “The Personificational Face: Piers Plowman Rethought through Levinas and Bronowski.” Levinas and Medieval Literature: The “Difficult Reading” of English and Rabbinic Texts. Eds. Ann W. Astell and J. A. Jackson. Duquesne University Press, 2009. 137–56.
  • “Masculinity and Its Hydraulic Semiotics in Chaucer’s Troilus and Criseyde.” Men and Masculinities in Chaucer’s Troilus and Criseyde. Eds. Tison Pugh and Marcia Smith Marzec. D. S. Brewer, 2008. 73–81.
  • “The Anachronism of Imagining Film in the Middle Ages: Wegener’s Der Golem and Chaucer’s Knight’s Tale.” Exemplaria 19.2 (summer 2007): 290–309.
  • “Triform Chaucer: Deconstruction, Psychoanalysis, Historicism and Chaucer’s Troilus and Criseyde.” MLA Approaches to Teaching Chaucer’s Troilus and Criseyde and the Minor Poems. Eds. Tison Pugh and Angela Weisl. Modern Languages Association, 2006. 127–32.
  • “The Allegorical Construction of Female Feeling and Forma: Gender, Diabolism and Personification in Hildegard of Bingen’s Ordo Virtutum.” From Laughter to Lament: Women’s Performance of Emotion in Medieval and Early Modern Europe. Ed. Lisa Perfetti. University Press of Florida, 2005. 43–62.
  • “Historicizing Paul De Man’s Master Trope Prosopopeia: Belgium’s Trauma of 1940, the Nazi Volkskörper, and Versions of the Allegorical Body Politic.” Historicizing Theory. Ed. Peter C. Herman. State University of New York Press, 2004. 69–97.
  • “Crossing De Man with Althusser: Chiasmus and the Literary Theory of Michael Sprinker.” The Minnesota Review N.S. 58–60 (2003): 167–72.
  • Review of Interpretation and Allegory: Antiquity to the Modern Period, ed. Jon Whitman (Brill, 2000). Speculum 78 (2003): 1423–25.
  • “Sick of Allegory: A Response to Lawrence Clopper’s ‘Langland and Allegory, A Proposition’.” The Yearbook of Langland Studies 15 (2001): 47–59.
  • “Revisiting the Deconstruction of Narratology: Master Tropes of Narrative Embedding and Symmetry.” Style 35 (2001): 126–50.
  • “(Re)Facing Prosopopeia and Allegory in Contemporary Theory and Iconography.” Studies in Iconography 22 (2001): 1–25.
  • “Shakespeare’s Medieval Devils and Joan La Pucelle in 1 Henry 6: Semiotics, Iconography, and Feminist Criticism.” Henry VI: Critical Essays. Ed. Thomas Pendleton. Routledge, 2001. 127–55.
  • “Inventing the Subject and the Personification of Will in Piers Plowman: Rhetorical, Erotic, and Ideological Origins and Limits in Langland’s Allegorical Poetics.” William Langland: A Book of Essays. Ed. Kathleen Hewett-Smith. Routledge, 2001. 195–231.
  • Review of New Historicism and Cultural Materialism, by John Brannigan (St Martin’s, 1998). Clio 29 (2000): 232–40.
  • (Ed. with Cynthia Gravlee)Desiring Discourse: The Literature of Love, Ovid Through Chaucer. Susquehanna/AUP, 1998.
  • (Ed. with Lawrence M. Clopper and Sylvia Tomasch)The Performance of Middle English Culture: Essays on Chaucer and the Drama in Honor of Martin Stevens. Boydell & Brewer, 1998.
  • The Poetics of Personification. Cambridge University Press, 1994.
 Exemplaria

Padgett Powell
  • The Interrogative Mood: A Novel?Ecco, 2009.
  • Mrs. Hollingsworth’s Men. Houghton-Mifflin, 2000.
  • Edisto Revisited. Henry Holt & Company, 1996.
 Mrs. Hollingsworth’s Men Edisto Revisited
The Interrogative Mood: A Novel?

R

Robert Ray
  • The ABCs of Classic Hollywood. Oxford University Press, 2008.
  • “Film Studies and the Problems of the New Century.” New England Review 27.4 (2006): 106–20.
  • “Critical Senility vs. Overcomprehension: Rock Criticism and the Lesson of the Avant-Garde.” Pop Music and the Press. Ed. Steve Jones. Temple University Press, 2002. 72–78.
  • “The Automatic Auteur, or, A Certain Tendency in Film Criticism.” Directed by Allen Smithee. Eds. Jeremy Braddock and Stephen Hock. University of Minnesota Press, 2001. 51–75.
  • How a Film Theory Got Lost, and Other Mysteries in Cultural Studies. Indiana University Press, 2001.
  • “Mystery Trains.” Sight and Sound, November 2000: 12–13.
  • The Avant-Garde Finds Andy Hardy. Harvard University Press, 1995.
The Avant-Garde Finds Andy Hardy How a Film Theory Got Lost and Other Mysteries of Cultural Studies
The ABCs of Classic Hollywood

Mark A. Reid
  • Review of Cedric Robinson’s Forgeries of Memory and Meaning: Blacks and the Regimes of Race in American Theater and Film before World War II. The North Carolina Historical Review 86.3 (July 2009): 368–69.
  • Memorial to the deceased African American documentary filmmaker St. Clair Bourne. Black Camera 22:2/23:1 (Spring 2008): 96–97.
  • Review of Krin Gabbard’s Black Magic: White Hollywood and African American Culture. Film Quarterly 61.1 (2007).
  • “Dialogic Modes of Representing Africa(s): Womanist Film.” The Womanist Reader: The First Quarter Century of Womanist Thought. Ed. Layli Philips. Routledge, 2006: 193–206. Rpt. of 1991 article.
  • Black Lenses, Black Voices: African American Film Now. Rowman and Littlefield Publishers, 2005.
  • “Haile Gerima: ‘Sacred shield of culture.’” Contemporary American Independent Film: From the Mainstream to the Margins. Eds. Chris Holmlund and Justin Wyatt. Routledge, 2004. 141–53.
  • “‘Spike’ Shelton Jackson Lee.” African American National Biography. Eds. Henry Louis Gates, Jr. and Evelyn Higginbotham. Oxford UP, 2004.
  • “Paul Robeson: Songs of Freedom.” African Americans in Cinema: The First Half Century. Ed. Phyllis R. Klotman. University of Illinois Press, 2003.
  • “A Few Black Keys and Maori Tattoos: Re-reading Jane Campion’s The Piano in PostNegritude Time.” Quarterly Review of Film and Video 17.2 (2000): 107–16.
  • Review of Struggles for Representation: African-American Documentary Film and Video. American Literature 724 (2000): 894–95.
  • “New Wave Black Cinema in the 1990s.” Film Genre 2000: New Critical Essays. Ed. Wheeler Winston Dixon. State University of New York Press, 2000. 12–28.
  • “Literary Forces Encouraging the Use of Black Writers.” Film and Literature: An Introduction and Reader. Ed. Timothy Corrigan. Temple Univ. Press, 1999. 305–17.
  • “Border Crossing and Métissage.”Des Modèles en question. Villes, cultures, citoyenneté en Amérique du Nord. Eds. Catherine Pouzoulet and Jacques Portes. Lille, France: Université Charles-de-Gaulles-Lille-3, 1998. 225–34.
  • “PostNegritude Reappropriation and the Black Male Nude: The Photography of Rotimi Fani-Kayode.” The Passionate Camera: Photography and Bodies of Desire. Ed. Deborah Bright. Routledge, 1998. 216–28.
  • “Race, Working-Class Consciousness, and Dreaming in African: Song of Freedom and Jericho.” In Paul Robeson: Artist and Citizen. Ed. Jeffrey C. Stewart. Rutgers UP, 1999. 165–76.
  • “African-American Cultural Studies: PostNegritude, nationalism and neo-conservatism.” Trajectories: Inter-Asia Cultural Studies. Ed. Kuan-Hsing Chen. Routledge 1998. 263–79.
  • “African Cinema Today: Interview with Mark Reid.” Nka: Journal of Contemporary Art 9 (Fall-Winter, 1998): 58–61.
  • Review of Gwendolyn Audrey Foster’sWomen Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity.Film Quarterly 51.4 (Summer 1998): 62–64.
  • Spike Lee’s ‘Do the Right Thing’. Cambridge University Press, 1997.
  • Postnegritude Visual and Literary Culture. State University of New York Press, 1997.
  • “Oscar Micheaux.”The Oxford History of World Cinema, 1895-1995. Ed. Geoffrey Nowell-Smith. Oxford UP, 1996. 499.
  • “Colonial Observations: Interview with Claire Denis.” Jump Cut 40 (1996): 67–73.
  • “The Brand X of PostNegritude Frontiers.” Film Criticism 20.1/2 (Fall/Winter 1995–96): 17–25.
  • “Dialogic Modes of Representing Africa(s): Womanist Film.”Cinemas of the Black Diaspora. Ed. Michael T. Martin. Wayne State UP, 1995. 56–69.
  • “Producing African Cinema in Paris.”Cinemas of the Black Diaspora. Ed. Michael T. Martin. Wayne State UP, 1995. 346–53.
  • “The Black Gangster Film.” In Film Genre Reader II. Ed. Barry K. Grant. University of Texas Press, 1995. 456–73.
  • “African-American Filmmakers.”The Political Companion to American Film. Ed. Gary Crowdus. Lake View Press, 1994. 3-9.
  • Review of Jan Nederveen Pieterse’s White on Black: Images of Africa and Blacks in Western Popular Culture. Research in African Literatures 25.1 (1994): 101–03.
  • Redefining Black Film. University of California Press, 1993.
  • “African Cinema Now.” Modern Days, Ancient Nights: Thirty Years of African Filmmaking, a catalog (NY: Film Society of Lincoln Center, 1993): 13–14.
  • “Rebirth of a Nation.” Southern Exposure 20.4 (1992): 26–28.
  • “Two French-Antillean Filmmakers: Willy Rameau and Julius Amédé Laou.”Ex-Iles: Essays on Caribbean Cinema. Ed. Mbye B. Cham. Africa World Press, 1992. 315–39.
  • “The Photography of Rotimi Fani-Kayode.” Wide Angle 14.2 (1992): 38–51.
  • Review of Isaac Julien and Colin MacCabe’s Diary of A Young Soul Rebel. Film Quarterly 46.2 (Winter 1992): 56–57.
  • Review of Screenplays of the African American Experience, ed. Phyllis Rauch Klotman. Film Quarterly 46.2 (Winter 1992): 60–61.
  • “Dialogic Modes of Representing Africa(s): Womanist Film.” Black American Literature Forum 25.2 (1991): 375–88.
  • “And Shine Filmed on.” Jump Cut 36 (1991): 43–46.
  • “Producing African Cinema in Paris.” Jump Cut 36 (1991): 47–51.
  • “The U.S. Black Family Film.” Jump Cut 36 (1991): 81–88.
  • Review of Blacks in Film and Television: A Pan-African Bibliography of Film, Filmmakers, and Performers, comp. John Gray. Research in African Literatures 22.4 (1991): 229–32.
  • Review of Melvin and Mario Van Peebles’s No Identity Crisis: A Father and Son’s Own Story of Working Together. Film Quarterly 46.4 (Summer 1991): 30–31.
  • Review of Blackframes: Critical Perspectives on Black Independent Cinema, eds. Mbye Cham and Claire Andrade Watkins. Film Quarterly 44.3 (Spring 1991): 59–60.
  • Review of Keyan Tomaselli’s Cinema of Apartheid: Race and Class in South African Film. Film Quarterly 43.3 (Spring 1990): 60–61.
  • “Recent Writing on Black Film.” Black Film Review 5.2 (1989): 18–19.
  • Review of Houston A. Baker Jr.’s Modernism and the Harlem Renaissance. Criticism 31.2 (1989) 204–06.
  • “Les Premiers Indépendants Noirs.” In Le Cinéma noir-américain. Eds. Mark A. Reid et al. CinémAction, 1988. 35–39.
  • “The Black Action Film: The End of the Patiently Enduring Black Hero.” Film History 2.1 (1988): 23–36.
  • “Pioneer Black Filmmaker: The Achievement of Oscar Micheaux.” Black Film Review 4.2 (1988): 6–7.
 Black Lenses, Black Voices: African American Film Now Spike Lee’s Do the Right Thing
Postnegritude Visual and Literary Culture

Mary Robison
  • One D.O.A, One on the Way. Counterpoint Press, 2009.
  • Tell Me: Thirty Stories. Counterpoint Press, 2002.
  • Why Did I Ever: A Novel. Counterpoint Press, 2001.
 One D.O.A. One on the Way Why Did I Ever

Leah Rosenberg
  • “The Prose of Creolization: Brathwaite’s The Development of Creole Society and Subaltern Historiography.” Words, Sound and Power. Ed. Annie Paul. The University of West Indies Press, 2007.
  • Nationalism and the Formation of Caribbean Literature. Palgrave Macmillan, 2007.
  • “Modern Romances: The Short Stories of Una Marson’s Cosmopolitan (1928–1931).” The Journal of West Indian Literature 12.1–2 (2004): 170–83.
  • “Caribbean Models for Modernism in the Work of Claude McKay and Jean Rhys.” Modernism/Modernity 11.2 (2004): 219–38.
  • “Una Marson’s “Pocomania” (1938): Class, Gender, and the Pitfalls of Cultural Nationalism.” Essays in Theatre Studies 20.1 (2004): 27–42.
  • “Man Sweet, Woman Stronger: Calypso’s War with Yard Fiction.” The Journal of West Indian Literature 9.2 (2001): 18–50.
 Nationalism and the Formation of Caribbean Literature

Peter L. Rudnytsky
  • “Dissociation and Decapitation.” With a response by David Norbrook. Trauma and Transformation: the Political Progress of John Bunyan. Ed. Vera J. Camden. Stanford University Press, 2008. 14–35.
  • Review of Judy Leopold Kantrowitz’s Writing about Patients: Responsibilities, Risks, and Ramifications. Journal of the American Psychoanalytic Association 55 (2007): 1401–15.
  • Review International Dictionary of Psychoanalysis, (Alain de Mijolla, ed., 3 vols.) Journal of the American Psychoanalytic Association 55 (2007): 371–79.
  • “True Confessions in Operation Shylock.” Philip Roth Studies 3 (2007): 26–43.
  • “Something Rotten in the Gator Nation.” The Gainesville Sun, September 17, 2006, p. 2G.
  • “Rescuing Psychoanalysis from Freud: The Common Project of Stekel, Jung, and Ferenczi.” Psychoanalysis and History 8 (2006): 123–57.
  • “Goodbye, Columbus: Roth’s Portrait of the Narcissist as a Young Man,” Twentieth-Century Literature 51 (2005): 25–42.
  • Review of Roger Willoughby’s Masud Khan: the Myth and the Reality. Journal of the American Psychoanalytic Association 53 (2005): 1365–71.
  • Reading Psychoanalysis: Freud, Rank, Ferenczi, Groddeck. Cornell University Press, 2002.
  • Psychoanalytic Conversations: Interviews with Clinicians, Commentators, and Critics. The Analytic Press, 2000.
  • (Ed. with Andrew Gordon)Psychoanalyses/Feminisms. State University of New York Press, 2000.
  • (With Antal Bókay and Patrizia Giampieri-Deutsch)Ferenczi’s Turn in Psychoanalysis. New York University Press, 2000.
 American Imago Psychoanalyses/Feminisms
Ferenczi's Turn in Psychoanalysis Psychoanalytic Conversations: Interviews with Clinicians, Commentators, and Critics
Reading Psychoanalysis: Freud, Rank, Ferenczi, Groeddel

S

Raúl Sánchez
  • The Function of Theory in Composition Studies. State University of New York Press, 2005.
  • “Composition’s Ideological Apparatus: A Critique.” JAC 21 (2001): 741–59.
 The Function of Theory in Composition Studies

Jodi Schorb
  • “Masters of their Domain,” review of Thomas Foster, Sex and the Eighteenth Century Man: Massachusetts and the History of Sexuality in America. GLQ: A Journal of Lesbian and Gay Studies 15:3 (Summer 2009): 516–18.
  • “Seeing Other-Wise: Reading a Pequot Indian Execution Narrative.” Early Native Literacies in New England: A Documentary and Critical Anthology. Eds. Kristina Bross & Hilary Wyss. University of Massachusetts Press, 2008. 142–61.
  • “Uncleanliness is Next to Godliness: Sexuality, Salvation, and the Early American Woman’s Execution Narrative.” Puritan Origins of American Sex: Religion, Sexuality, and National Identity in American Culture. Eds. Nicholas Radel, Tracy Fessenden, and Magdalena Zaborowsky. Routledge, 2000. 72–92.
  • (With Tania Hammidi) “Sho-Lo Showdown: The Do’s and Don’ts of Lesbian Chic.” Tulsa Studies in Women’s Literature 19.2 (2000): 255–68.

Malini Johar Schueller
  • “Decolonizing Global Theories Today: Hardt and Negri, Agamben, Butler” Interventions 11.2 (2009): 235–54.
  • (Ed. with Ashley Dawson) Dangerous Professors: Academic Freedom and the National Security Campus. University of Michigan Press, 2009.
  • Locating Race: Global Sites of Post-Colonial Citizenship. SUNY Press, 2009.
  • “Orientalizing American Studies.”American Quarterly 60.2 (June 2008): 481–89.
  • (Ed. with Ashley Dawson) “The Perils of Academic Freedom,” special issue of Social Text 25.1 (2007). “Area Studies and Multicultural Imperialism: The Project of Decolonizing Knowledge” also appears in the issue: 41–62.
  • (Ed. with Ashley Dawson) Exceptional State: Contemporary US Culture and the New Imperialism. Duke University Press, 2007.
  • “Techno-Dominance and Torturegate: The Making of US Imperialism.” Exceptional State: Contemporary US Culture and Imperialism. Eds. Ashley Dawson and Malini Johar Schueller. Duke University Press, 2007. 162–90.
  • “Orientalism.” American History Through Literature, 1820–1870. Eds. Janet Gabler-Hover and Robert Sattelmeyer. Scribner’s Press, 2006. 838–42.
  • “Analogy and (White) Feminist Theory: Thinking Race and the Color of the Cyborg Body.” Signs 31.1 (2005): 63–92.
  • “Claiming Postcolonial America: The Hybrid Asian-American Performances of Tseng Kwong Chi.” Asian North American Subjectivities: Beyond the Hyphen. Eds. Eleanor Ty and Donald C. Goellnicht. Indiana University Press, 2004. 170–85.
  • “Postcolonial American Studies.” American Literary History 16.1 (2004): 162–75.
  • “Articulations of African-Americanism in South Asian Postcolonial Theory: Globalism, Localism and the Question of Race.” Cultural Critique 55 (2003): 35–62.
  • (Ed. with Edward Watts) Messy Beginnings: Postcoloniality and Early American Studies. Rutgers University Press, 2003.
  • “Nation, Missionary Women, and the Race of True Womanhood.”Messy Beginnings: Postcoloniality and Early American Studies. Eds. Mailini Schueller and Edward Watts. Rutgers Univ. Press, 2003. 155–75.
  • “Theorizing Ethnicity and Subjectivity: Maxine Hong Kingston’s Tripmaster Monkey and Amy Tan’s The Joy Luck Club.” Modern Critical Interpretation: Amy Tan’s The Joy Luck Club. Ed. Harold Bloom. Chelsea House, 2002.
  • “The Postcolonial Scene in the United States.” Edinburgh Encyclopaedia of Literary Criticism and Theory Since 1940. Ed. Julian Wolfreys. Edinburgh University Press, 2002. 550–58.
  • Review of Janet Gabler-Hoover’s Dreaming Black, Writing White: The Hagar Myth in American Cultural History. American Literature (2001): 192–94.
  • (Ed. and Intro.) David F. Door, A Colored Man Round the World. University of Michigan Press, 1999.
  • “Performing Whiteness, Performing Blackness: Dorr’s Cultural Capital and the Critique of Slavery.” Criticism 41.2 (1999): 233–56.
  • U.S. Orientalisms: Race, Nation and Gender in Literature, 1790–1890. University of Michigan Press, 1998.
  • “Harems, Orientalist Subversions, and the Crisis of Nationalism: The case of Poe and Ligeia.” Criticism 37.4 (Fall 1995): 601–23.
  • “Indians, Polynesians and Empire Making: The Case of Herman Melville.” Genealogy and Literature. Ed. Lee Quinby, University of Minnesota Press, 1995. 48–67.
  • “Multiculturalism as a Strategy of Reading.” Prose Studies 17.1 (April 1994): 1–20.
  • “Colonialism and Melville’s South Seas Journeys." Studies in American Fiction 22.1 (Spring 1994): 3–18.
  • The Politics of Voice: Liberalism and Social Criticism from Franklin to Kingston. Albany: State University of New York Press, 1992.
  • “Theorizing Ethnicity and Subjectivity: Maxine Hong Kingston’s Tripmaster Monkey and Amy Tan’s The Joy Luck Club.” Genders 15 (Winter 1992): 72–85.
  • “Containing the Third World: John Updike’s The Coup.” Modern Fiction Studies, Updike Special Issue, 37 (Spring 1991): 113–28.
  • “Questioning Race and Gender Definitions: Dialogic Subversions in The Woman Warrior.” Criticism 31.4 (1989): 421–37.
  • “Authorial Discourse and Pseudo-Dialogue in Franklin’s Autobiography.” Early American Literature 22.1 (1987): 94–107.

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 Messy Beginnings A Colored Man Round the World
Exceptional State: Contemporary U.S. Culture and the New Imperialism U.S. Orientalisms: Race, Nation and Gender in Literature, 1790–1890
Dangerous Professors: Academic Freedom and the National Security Campus Localating Race: Global Sites of Post-Colonial Citizenship

R. Allen Shoaf
  • (Co-founding Editor) Exemplaria.
  • “From Clio to JHMuse©: On the Muse of Digitalia,” in The Post-Historical Middle Ages, eds. Elizabeth Scala and Sylvia Federico. Palgrave, 2009. 215–28.
  • “‘By winning words to conquer willing hearts’: Miltonic Strategies of Alliteration in Paradise Regained and Suggestions for Teaching Them.” MLA volume on Approaches to Teaching Milton’s Shorter Poetry and His Prose, ed. Peter C. Herman. MLA, 2007. 185–88.
  • Shakespeare’s Theater of Likeness. New Academia Publishing, 2006.
  • Review of The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony: Essays in Honor of Robert O. Payne (John M. Hill and Deborah M. Sinnreich-Levi, eds.) Studies in the Age of Chaucer 23 (2002): 555–59.
  • Review of Eric Jager’s The Book of the Heart. The Journal of English and Germanic Philology 101 (2002): 240–42.
  • Chaucer’s Body: The Anxiety of Circulation in “The Canterbury Tales.” University Press of Florida, 2001.
  • The Dante Encyclopedia, ed. Richard H. Lansing (New York: Garland, 2000). Articles on “Albero da Siena” (10); “Capocchio” (141); “Commedia: Allegory and Realism” (194–97); “Demophoön” (298); “Erichtho” (355–56); “Geri di Bello” (433); “Niccolo of Siena” (648); “Stricca” (800).
  • (Ed.) Thomas Usk: The Testament of Love. Medieval Institute Publications, 1998.
 Exemplaria Shakeseare’s Theater of Likeness
The Testament of Love Chaucer’s Body

Stephanie Smith
  • “Octavia Butler: A Retrospective.” Feminist Studies 33.2 (2007): 385–93.
  • Review of Reclaiming Authorship: Literary Women in America, 1850–1900. New England Quarterly (September 2007).
  • “Harriet Jacobs: A Case of Authentication.” The Cambridge Companion to The African American Slave Narrative. Ed. Audrey Fisch. Cambridge University Press, 2007.
  • “A Most Ambiguous Citizen: Samuel R. ‘Chip’ Delany.” American Literary History 19.2 (2006).
  • “Fashion.” American History through Literature, 1870–1920. Eds. Tom Quirk and Gary Scharnhorst. Scribner’s Press, 2006.
  • Household Words: Bloomers, Sucker, Bombshell, Scab, Nigger, Cyber. University of Minnesota Press, 2006.
  • “Melville and the Sea.” A Companion to American Fiction 1780–1865. Ed. Shirley Samuels. Blackwell, 2004.
  • “Genetics.” Glossalalia. Ed. Julian Wolfreys. Edinburgh University Press, 2003.
  • “Scab.” Keywords: A Journal of Cultural Materialism 4 (2003).
  • “Antebellum Politics and Women’s Writing.” The Cambridge Companion to 19th Century American Women’s Writing. Eds. Dale Bauer and Philip Gould. Cambridge University Press, 2002.
  • “Cyber(genetics).” Genealogie und Genetik. Akademie Verlag, November 2001.
  • “Bombshell.” Body Politics and the Fictional Double. Indiana University Press, 2000.
  • Conceived By Liberty: Maternal Figures and Nineteenth-Century American Literature. Cornell University Press, 1995.
  • Other Nature. St. Martin’s Press, 1995.
  • Snow-Eyes. Atheneum, 1985; DAW, 1988.
  • The Boy Who Was Thrown Away. Atheneum 1987; DAW 1989.
 Household Words Other Nature
Conceived By Liberty: Maternal Figures and Nineteenth-Century American Literature

Chris Snodgrass
  • “Keeping Faith: Consistency and Paradox in the World View of Michael Field.” Michael Field and Their World, eds. Margaret Stetz and Cheryl A. Wilson. Rivendale Press, 2009. 171–80.
  • Review of Cambridge Companion to the Fin de Siècle, ed. Gail Marshall. English Literature in Transition, 1880–1920 52.2 (Spring 2009): 231–36.
  • “Wilde’s Salome: Turning ‘the Monstrous Beast’ into a Tragic Hero.” Oscar Wilde: The Man, His Writings, and His World. Ed. Robert N. Keane. AMS Press, 2003.
  • “A Review of Allison Pease’s Modernism, Mass Culture, and the Aesthetics of Obscenity.” English Literature in Transition, 1880–1920 46.1 (2003): 71–75.
  • “A Review of Daniel O. Bell’s A Pious Bacchanal: Affinities Between the Lives and Works of John Flaxman and Aubrey Beardsley.” Victorian Studies 44.4 (2002): 702–4.
  • “The Poetry of the 1890s.” Companion to Victorian Poetry. Eds. Richard Cronin, Alison Chapman and Anthony H. Harrison. Blackwell, 2002. 321–41.
  • “Rare Books Collection Helps New Scholarship on the Victorian ‘Yellow Nineties,’” Chapter One: Howe Society Newsletter (2001): 4–6.
  • “Beardsley Scholarship at his Centennial: Tethering or Untethering a Victorian Icon.” English Literature in Transition, 1880–1920 42.4 (2000): 363–99.
  • Aubrey Beardsley: Dandy of the Grotesque. Oxford University Press, 1995.
 Aubrey Beardsley: Dandy of the Grotesque

T

Roger Thompson
  • Filipino English and Taglish: Language Switching from Multiple Perspectives. John Benjamins Publishing, 2003.
  • “Too Old to Surf? Internet Training for Reluctant Teachers.” The Messenger: A Publication of Sunshine State TESOL of Florida 2 (2000): 15–16.
 Filipino English and Taglish: Language Switching from Multiple Perspectives

Robert Thomson
  • ““Dear Mr Walker’ – Gavin Greig’s Letters to William Walker of Aberdeen.” Folk Song: Tradition, Revival and Re-Creation. Eds. Ian Russell and David Atkinson. University of Aberdeen Press, 2004. 196–210.
  • (With Marie Nelson) “The Fabliau.” A Companion to Old and Middle English Literature. Eds. Laura Cooner Lambdin and Robert Thomas Lambdin. Greenwood Press, 2002. 255–75.

Maureen Turim
  • “The Interiority of Space: Desire and Maya Deren.”Avant-Garde Cinema. Eds. Alexander Graf and Dietrich Scheunemann. Editions Rodopi, 2008. 155–65.
  • “Women’s Films: Comedy, Drama, Romance.”Chick Flicks: Contemporary Women at the Movies. Eds. Suzanne Ferriss and Malory Young. Routlege Press, 2008. 26–40.
  • “Sounds, Intervals, and Startling Images in the Films of Abigail Child.” Women’s Experimental Cinema: Critical Frameworks. Ed. Robin Blaetz. Duke University Press, 2007.
  • “Art/Music/Video.com.” Medium Cool: Music Videos from Soundies to Cellphones. Eds. Roger Beebe and Jason Middleton. Duke University Press, 2007
  • “Napoléon.” The Cinema of France. Ed. Phil Powrie. Wallflower Press, 2006. 11–18.
  • “A Look at the Violence of Female Desire.” Women and Experimental Filmmaking. Eds. Jean Patrolle and Virgina Wright Wexman. University of Illinois Press, 2005.
  • “Remembering and Deconstructing: The Historical Flashback in Man of Marble and Man of Iron.” The Cinema of Andrzej Wajda: the Art of Irony and Defiance. Eds. Elizabieta Ostrowska and John Orr. Wallflower Press 2004. 93–102.
  • “Marina Abramovic’s Performance: Stresses on the Body and Psyche in Installation Art.” Camera Obscura 54 (2004): 99-118.
  • “Popular Culture and the Comedy of Manners: Clueless and Fashion Clues.” Jane Austen and Co.: Remaking the Past in Contemporary Culture. Eds. James Thompson and Suzanne Pucci. State University of New York Press, 2003.
  • “The Fantasy Image: Fixed and Moving.” The End Of Cinema As We Know It: American Film in the Nineties. Ed. Jon Lewis. State University of New York Press, 2002.
  • “Artisanal Prefigurations of the Digital: Animating Realities, Collage Effects and Theories of Image Manipulation.” Wide Angle 21.1 (2002).
  • “Les Nuits fauves Confronts Postmodern Moralities.” IRIS (2002).
  • “Postmodern Metaphors and the Images of Thought.” Polygraph: An International Journal of Culture and Politics 13 (2001).
  • “The Trauma of History: Flashbacks upon Flashbacks” Screen 42.2 (2001).

U

Anastasia Ulanowicz
  • “Sitting Shivah: Holocaust Mourning in Judy Blume’s Starring Sally J. Freedman as Herself.” Children’s Literature 36 (2008).
  • “Preemptive Education: Lynne Cheney’s America: A Patriotic Primer and the Ends of History.” Children’s Literature Quarterly 33:4 (Winter 2008).

Gregory L. Ulmer
  • “Chora Collaborations.” Rhizomes 18 (2008).
  • “Image Heuretics.” Contemporary Poetics, ed. Louis Armand (Northwestern University Press, 2007): 233–55.
  • “Joseph Beuys.” Joseph Beuys: The Reader. Eds. Claudia Mesch and Viola Michely, MIT Press, 2007. Reprinted from Applied Grammatology (Johns Hopkins, 1985).
  • “Derrida in Miami (Miautre).”The European Legacy 12.4 (2007): 457–68.
  • Illogic of Sense: The Gregory Ulmer Remix. Eds. Darren Tofts and Lisa Gye. electronic book review / Alt X Press, 2007.
  • “Discourse of the Imaginary.” Exile of the Imaginary: Politics, Aesthetics, Love, catalog of an exhibition of the Generali Foundation, Vienna, January 18–April 29, 2007. Curated by Juli Carson. Sabine Breitwieser, 2007.
  • Electronic Monuments. University of Minnesota Press, 2006.
  • “Derrida Archive.” Poiesis 7 (2005): 58–63.
  • “Chora.” Glossalalia. Ed. Julian Wolfreys. Edinburgh University Press, 2003.
  • Internet Invention: From Literacy to Electracy. Longman Publishers, 2003.
  • “Design Education and Electracy.” Design Philosophy Papers 5 (2003).
  • “Soft Wishing Y (for 9/11).” artUS (Nov.–Dec. 2003): 34–35.
  • “Image Emergency,” Leonardo 36.3 (2003): 197–98.
  • “The Internet and Its Double: Voice in Electracy.” Theoretical and Conceptual Innovation in Digital Domains. Eds. Gunnar Liestol, et al. MIT Press, 2003. 91–113.
  • “Miami Miautre: Mapping the Virtual City (A Preview).” Journal of Visual Culture 1.3 (2002): 341–57.
  • “Reality Tables: Virtual Furniture.” Prefiguring Cyberculture: An Intellectual History. Ed. Darren Tofts. MIT Press, 2003. 110–29.
  • “The Upsilon Project: A Post-Tragic Testimonial.” Psychoanalysis and Performance. Eds. Patrick Campbell and Adrian Kear. Routledge, 2001. 203–17.
 Electronic Monuments Internet Invention: From Literacy to Electracy
Illogic of Sense

W

Sidney Wade
  • (Poetry Editor) Subtropics.
  • Stroke. Persea Books, 2008.
  • Guest Poetry Editor, Two Lines: World Literature in Translation 15 (2008)
  • Guest Editor, Translation Review 68 (2004).
  • Celestial Bodies. Louisiana State University Press, 2002.
  • Green. University of South Carolina Press, 1998.
  • From Istanbul. Yapi Kredi Yayinlar, 1998.
 From Istanbul Green
Subtropics Celestial Bodies
Stroke

Phillip Wegner
  • “Ken MacLeod’s Permanent Revolution: Utopian Possible Worlds, History, and the Augenblick in the ‘Fall Revolution.’”Red Planets: Marxism and Science Fiction. Eds. Mark Bould and China Miéville. Pluto Press/Wesleyan University Press, 2009.
  • Life Between Two Deaths, 1989–2001: U.S. Culture in the Long Nineties. Duke University Press, 2009.
  • “ ‘The Dead are Our Redeemers’: Culture, Belief, and United 93.” American Multiculturalism After 9/11: Transatlantic Perspectives. Eds. Derek Rubin and Jaap Verheul. Amsterdam University Press, 2009.
  • “Learning to Live in History: Alternate Historicities and the 1990s in The Years of Rice and Salt.” Kim Stanley Robinson Maps the Unimaginable: Critical Essays. Ed. William J. Burling. MacFarland, 2009.
  • “Darko Suvin.” Fifty Key Figures in Science Fiction. Eds. Mark Bould et al. Routledge, 2009.
  • Review essay on Bret Benjamin’s Invested Interests: Capital, Culture, and the World Bank and the contemporary university. Politics and Culture(2008).
  • “Jameson’s Modernisms; or, the Desire Called Utopia.” Diacritics 37.4 (Winter 2007).
  • “Here or Nowhere: Utopia, Modernity, and Totality.”Utopia Method Vision: The Use Value of Social Dreaming. Eds. Tom Moylan and Raffaella Baccolini. Peter Lang, 2007.
  • “Recognizing the Patterns” New Literary History 38.1 (2007).
  • “The Pretty Woman Goes Global, Or, Learning to Love ‘Americanization’ in Notting Hill.” Genre 38 (2005).
  • “Periodizing Jameson, or, Notes toward a Cultural Logic of Globalization.” On Jameson: From Postmodernism to Globalization. Eds. Caren Irr and Ian Buchanan. SUNY Press, 2005.
  • “Utopian Fiction” and “Science Fiction.” Encyclopedia of Literature and Politics: Censorship, Revolution, and Writing. Ed. M. Keith Booker. Greenwood, 2005.
  • “Utopia.” A Companion to Science Fiction. Ed. David Seed. Blackwell, 2005.
  • “Postmodernism.” The Edinburgh Dictionary of Continental Philosophy. Ed. John Protevi.  Edinburgh University Press, 2005.
  • “Más allá de las clausuras de la guerra fría: repeticiones y revisiones en el ciclo Terminator.” LiberArte: La Revista Virtual del Colegio de Artes Liberales. Universidad San Francisco de Quito, 2004.
  • “October 3, 1951 to September 11, 2001: Periodizing the Cold War in DeLillo’s Underworld.” Amerikastudien/American Studies 49.1 (2004).
  • “Where the Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and Ghost Dog.” Dark Horizons: Science Fiction and the Dystopian Imagination. Eds. Tom Moylan and Raffaella Baccolini. Routledge, 2003.
  • “Soldierboys for Peace: Cognitive Mapping, Space, and Science Fiction as World Bank Literature.” World Bank Literature. Ed. Amitava Kumar. University of Minnesota Press, 2003.
  • Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity. University of California Press, 2002.
  • “Spatial Criticism: Critical Geography, Space, Place, and Textuality.” Introducing Criticism at the Twenty-First Century. Ed. Julian Wolfreys. Edinburgh University Press, 2002.
  • “A Review of The Jameson Reader, by Fredric Jameson.” Eds. by Michael Hardt and Kathi Weeks. Utopian Studies 12.2 (2001).
  • “‘A Nightmare on the Brain of the Living’: Messianic Historicity, Alienations, and Independence Day.” Rethinking Marxism 12.1 (2000).
 Life between Two Deaths, 1989-2001: U.S. Culture in the Long Nineties Imaginary Communities: Utopia, the Nation, and the Spatial Histories of Modernity

Ed White
  • Edition of Hugh Henry Brackenridge’s novel Modern Chivalry (1792–1815). Hackett Press, 2009.
  • (With Michael J. Drexler) “Secret Witness or, the Fantasy Structure of Republicanism.” Early American Literature44.2 (2009): 333–63.
  • (Ed. with Michael J. Drexler) Beyond Douglass: New Perspectives on Early African-American Literature. Bucknell University Press, 2008.
  • “The Pequot Conspirator.” American Literature.
  • “Origin of the Settlement of Socialburg.” (Translation from French of Crèvecoeur’s “Origine de l’établissement de Socialbourg.”) Early American Studies (Spring 2009).
  • (With Michael J. Drexler) “Canon Loading.” Introduction to Beyond Douglass: New Perspectives on Early African-American Literature. Bucknell University Press, 2008.
  • “Crèvecoeur in Wyoming.” Early American Literature 43.2 (2008), 379–407.
  • “Forty-Nine Anecdotes.” (Translation from French of Crèvecoeur’s “Quarante-Neuf Anecdotes.”) Early American Literature 43.2 (2008), 409–41.
  • “History as Literature.” In The Oxford Handbook of Early American Literature, ed. Kevin J. Hayes. Oxford University Press, 2007.
  • The Backcountry and the City: Colonization and Conflict in Early America. University of Minnesota Press, 2005.
  • “Invisible Tagkanysough.” PMLA (May 2005).
  • (With Michael J. Drexler) “Literary Histories.” A Companion to American Fiction 1780–1865. Ed. Shirley Samuels (Blackwell, 2004). 147–57.
  • (With Michael J. Drexler) “Colonial Studies 3.” American Literary History 16.4 (2004): 728–57.
  • “Early American Nations as Imagined Communities.” American Quarterly 56.1 (2004): 49–81.
 Beyond Douglass: New Perspectives on Early African-American Literature The Backcountry and the City: Colonization and Conflict in Early America
Modern Chivalry

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